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      循氣場(chǎng)尋千年商脈,以人本悟盛唐風(fēng)骨——李建軍觀復(fù)建大唐西市

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      循氣場(chǎng)尋千年商脈,以人本悟盛唐風(fēng)骨——李建軍觀復(fù)建大唐西市的人體工程學(xué)洞見(jiàn)(八)

      Tracing Qi to Find a Thousand-Year Commercial Vein, Grasping the Spirit of High-Tang Through the Human-Centered View — Li Jianjun's Human Body Engineering Insights on the Reconstructed Great Tang West Market (VIII)

      李神琦(REX LEE)

      人體工程學(xué)研究員|美國(guó)紐約百老匯制作人

      畢業(yè)于倫敦政治經(jīng)濟(jì)學(xué)院金融與社會(huì)學(xué)專業(yè)

      曾任紐約蘇富比拍賣公司管理部

      Li Shenqi (REX LEE)

      Sino-Human Engineering Researcher | Producer on Broadway, New York, USA

      Graduated from the London School of Economics and Political Science with a major in Finance and Sociology

      Formerly worked in the Management Department of Sotheby's New York (also served as an English translator there)



      在美國(guó)洛杉磯好萊塢觀看中國(guó)原創(chuàng)紀(jì)錄片《空海傳》后,聆聽(tīng)人體工程學(xué)創(chuàng)辦人李建軍先生,分享復(fù)建大唐西市的環(huán)境能量勘察感悟,拋出一個(gè)極具深度、飽含詩(shī)意的靈性叩問(wèn):人體工程學(xué)李建軍為當(dāng)今復(fù)建大唐西市看風(fēng)水,看到了什么?體會(huì)了什么?

      After viewing the original Chinese documentary The Legend of Kukai in Hollywood, listening to Mr. Li Jianjun, founder of Human Body Engineering, share his impressions from surveying the environmental energy of the reconstructed Great Tang West Market, a deep, poetically charged spiritual question was raised: When Li Jianjun, in his capacity as a Human Body Engineering scholar, examined the 'fengshui' of today's reconstructed Great Tang West Market, what did he see? What did he feel?

      需要明晰的是,此番觀覽并非傳統(tǒng)意義上的風(fēng)水堪輿,而是一場(chǎng)跨越千年的精神巡禮。李建軍先生作為人體工程學(xué)與環(huán)境能量學(xué)研究者,以現(xiàn)代身心感知、空間氣場(chǎng)理論與傳統(tǒng)環(huán)境智慧相融,重構(gòu)對(duì)這片絲路商脈的解讀,是現(xiàn)代人與盛唐文明的靈性對(duì)話,是用人體工程學(xué)邏輯,破譯藏在大唐西市里的人本智慧與文明密碼。

      It must be made clear that this is not 'fengshui surveying' in the traditional sense; it is a thousand-year spiritual pilgrimage. As a researcher of Human Body Engineering and environmental energetics, Mr. Li integrates modern bodily-and-mental perception, spatial qi-field theory, and traditional environmental wisdom to reconstruct his reading of this Silk Road commercial artery. It is a spiritual dialogue between a modern person and high-Tang civilization, an attempt — through the logic of Human Body Engineering — to decode the human-centered wisdom and civilizational ciphers concealed within the Great Tang West Market.



      一、以人體工程學(xué)視角,他看到五重天地氣場(chǎng)

      I. Through the Lens of Human Body Engineering: Five Layers of Heaven-and-Earth Qi-Fields

      李建軍先生駐足復(fù)建大唐西市,以身心感知環(huán)境能量、空間節(jié)律與人文氣場(chǎng),看到的不僅是復(fù)刻的建筑,更是盛唐以人為本、順應(yīng)天地的環(huán)境智慧,是藏在一磚一瓦、一街一渠里的空間哲學(xué)。

      Standing within the reconstructed Great Tang West Market, perceiving environmental energy, spatial rhythm, and human atmosphere with body and mind, Mr. Li saw far more than reproduced architecture. He saw the human-centered, heaven-and-earth-attuned environmental wisdom of the high Tang — a spatial philosophy hidden in every brick, tile, street, and canal.

      他看到,人始終是空間的核心,而非建筑的附庸。大唐西市沿襲盛唐九宮井字格局,街巷尺度全然貼合人的行走節(jié)律,三百步一坊的間距,適配步行的步伐與呼吸節(jié)奏,無(wú)奔波之苦;店鋪前皆設(shè)檐廊,遮陽(yáng)避雨、擋風(fēng)御寒,將人本關(guān)懷融入每一處細(xì)節(jié);茶肆、酒肆、商鋪、驛站錯(cuò)落排布,圍合成溫潤(rùn)的社交氣場(chǎng),沒(méi)有現(xiàn)代商業(yè)的壓迫感;穿城而過(guò)的水渠,潺潺水聲調(diào)和市井燥氣,光影隨水流流轉(zhuǎn),自然氣息與人文空間相融共生。

      He saw that the human being is always the core of the space, never an appendage to the buildings. The Great Tang West Market followed the high-Tang 'Nine Palaces, well-grid' layout: the scale of streets and lanes was wholly fitted to the rhythm of human walking; the spacing of one ward every three hundred paces matched the cadence of step and breath, sparing the walker any sense of rushing. Eaves and corridors were set in front of every shop, shading from sun and rain, blocking wind and cold, weaving human-centered care into every detail. Tea-houses, wine-shops, stores, and post-stations were arrayed in a varied pattern that enclosed a warm and gentle social atmosphere — none of modern commerce's pressing weight. Water canals flowed through the market, the murmuring sound of their waters tempering the dryness of the marketplace; light and shadow shifted with the current; natural breath and humane space lived together as one.

      不同于現(xiàn)代商場(chǎng)用刺眼霓虹、喧囂音效刻意刺激消費(fèi),大唐西市以舒適的空間節(jié)奏、自然的光影氣息、溫潤(rùn)的場(chǎng)域氛圍,讓人內(nèi)心安寧、心甘情愿駐足流連。李建軍先生體悟到,真正的商業(yè)空間,從來(lái)不是榨取人的消費(fèi)欲,而是滋養(yǎng)人的身心,讓交易在舒心、安心的狀態(tài)下自然發(fā)生,這才是空間營(yíng)造的根本。

      Unlike modern shopping centers that use harsh neon and noisy soundscapes to deliberately stimulate consumption, the Great Tang West Market — with its comfortable spatial cadence, its natural play of light and breath, and its warm enveloping atmosphere — let the inner heart settle and people willingly linger. Mr. Li realized: a true commercial space is never one that extracts a person's desire to consume; it is one that nourishes body and mind, so that transactions occur naturally in a state of ease and safety. This is the root of spatial making.

      他感知到,天地之氣順勢(shì)流轉(zhuǎn),從無(wú)刻意堆砌。從人體工程學(xué)環(huán)境氣場(chǎng)理論來(lái)看,大唐西市的布局暗合天地節(jié)律,曲水環(huán)抱、四街貫通,中軸隱而不露,氣場(chǎng)如人體血脈般蜿蜒流轉(zhuǎn),全無(wú)現(xiàn)代建筑直沖硬撞的生硬感。南北主街為陽(yáng)脈,承載往來(lái)客流、匯聚生機(jī);東西巷道為陰絡(luò),連通街巷、藏納氣韻;西域胡商攜金銀珍寶東來(lái),帶旺金氣;中原商賈載絲綢瓷器西去,充盈木氣;引終南山活水貫穿市井,水脈滋養(yǎng)全場(chǎng);渭河清風(fēng)攜草木清香穿街過(guò)巷,成就風(fēng)生水起的圓滿氣場(chǎng)。

      He sensed that the qi of heaven and earth flowed in accord with the lay of things and was never forced. Seen through the qi-field theory of Human Body Engineering, the layout of the Great Tang West Market quietly accorded with heaven-and-earth rhythms: winding water embracing it, four streets running through, with the central axis hidden rather than displayed; the qi-field meandered like the blood vessels of a living body, with none of the hard, head-on strain of modern construction. The north-south main streets formed the yang vessels, carrying the flow of travelers and gathering vitality. The east-west alleyways formed the yin meridians, connecting and storing inner spirit. Sogdian merchants from the Western Regions came east with gold, silver, and jewels, kindling the metal-qi. Central Plains merchants traveled west bearing silks and porcelain, replenishing the wood-qi. Living water drawn from the Zhongnan Mountains threaded through the market, the water-vein nourishing the whole. Fresh winds from the Wei River carried the scent of grass and trees through every street and lane, completing a full qi-field of 'wind rising, water flowing.'

      現(xiàn)代密閉寫字樓、商業(yè)體,用空調(diào)割裂人與自然的連接,用封閉空間阻斷天地之氣,看似規(guī)整精致,實(shí)則耗盡身心能量。而大唐西市讓人與天地同呼吸、共節(jié)律,所謂風(fēng)水,從來(lái)不是玄學(xué)迷信,而是對(duì)自然節(jié)律的敬畏,是順應(yīng)天地氣場(chǎng)、契合身心需求的環(huán)境工程學(xué)。

      Modern sealed office towers and commercial complexes use air-conditioning to sever people's connection with nature and use enclosed spaces to interrupt the qi of heaven and earth; on the surface, neat and refined, in reality they exhaust body and mind. The Great Tang West Market, by contrast, let people breathe and pulse with heaven and earth. So-called 'fengshui' has never been mystical superstition; it is reverence for natural rhythm — an environmental engineering that follows the qi-fields of heaven and earth and accords with the needs of body and mind.

      他望見(jiàn),多元文明氣場(chǎng)交融,和而不同。作為古絲綢之路的東方起點(diǎn),大唐西市從來(lái)不是單一文化的場(chǎng)域,波斯祆教廟宇、中原漢式酒肆、粟特商館、新羅藥鋪比鄰而居,胡漢文化、東西文明在此交匯,各自保留風(fēng)骨,卻又彼此滲透、互不排斥。胡旋舞在漢式酒肆中翩然起舞,中原詩(shī)詞在胡商口中傳揚(yáng),波斯銀器與唐三彩同臺(tái)陳列,多元文化的氣場(chǎng)彼此包容、相互滋養(yǎng),形成獨(dú)一份的包容氣場(chǎng)。

      He observed: the qi-fields of plural civilizations met and merged here, in harmony without sameness. As the eastern starting point of the ancient Silk Road, the Great Tang West Market was never the field of a single culture. Persian Zoroastrian temples, Han-style wine-houses of the Central Plains, Sogdian merchant houses, and Silla apothecaries stood as neighbors. Hu and Han cultures, East and West civilizations, intersected here — each retaining its own bearing, yet each interpenetrating the other, with no rejection. The Hu xuan dance whirled lightly in Han-style wine-houses; Central Plains poetry was carried in the mouths of foreign merchants; Persian silver and Tang sancai shared the same display table. The qi-fields of plural cultures contained and nourished one another, forming an inclusive atmosphere unlike any other.

      這才是真正的國(guó)際化格局,絕非現(xiàn)代商業(yè)街區(qū)千店一面、標(biāo)準(zhǔn)化復(fù)制的同質(zhì)化模樣。盛唐的文化自信,從不是排斥差異,而是容納萬(wàn)物、兼容并蓄,正因敢于接納不同文明,才成就了萬(wàn)邦來(lái)朝的盛世氣象,多元共存的場(chǎng)域,才擁有生生不息的能量。

      This is genuine internationalism — nothing like the modern commercial street where a thousand shops wear the same face and standardization replicates sameness. The cultural confidence of high-Tang never rejected difference; it embraced all things and accommodated every kind. It was precisely because it dared to receive different civilizations that it gave rise to the era of 'ten thousand states coming to court.' Only fields of plural coexistence possess inexhaustible vitality.

      他讀懂,空間承載時(shí)間節(jié)律,懂得收放有度。駐足西市街巷,仿佛能看見(jiàn)盛唐市井的晨昏更替:清晨木氣升騰,街巷蘇醒、商鋪啟扉,滿是生機(jī);中午火氣旺盛,商賈云集、交易興隆,氣場(chǎng)鼎盛;傍晚金氣收斂,客商歸置貨品、清點(diǎn)收益,藏納元?dú)猓灰归g水氣沉靜,市井歸于安寧,休養(yǎng)生息。一日之內(nèi),氣場(chǎng)隨時(shí)間流轉(zhuǎn)起伏,有起承轉(zhuǎn)合,有熱鬧沉靜,從不違背自然節(jié)律。

      He understood: space carries the rhythm of time, and knows how to expand and contract in measure. Standing in the streets and lanes of the West Market, one could almost see the morning and evening alternations of the high-Tang marketplace. At dawn, the wood-qi rose; lanes awoke; shops opened their doors; everything was full of life. At noon, the fire-qi flourished; merchants gathered; transactions thrived; the qi-field was at its peak. At dusk, the metal-qi withdrew; merchants put away their goods, counted their gains, and stored their original vitality. By night, the water-qi grew still; the marketplace returned to peace and recuperation. Within a single day, the qi-field rose and fell with time, with opening, carrying, turning, and resolution, with both bustle and stillness — never violating the rhythm of nature.

      反觀現(xiàn)代商業(yè),一味追求24小時(shí)不間斷營(yíng)業(yè),透支空間能量、消耗身心精力,看似繁華,實(shí)則氣場(chǎng)渙散。李建軍先生深知,一方場(chǎng)域如同人身,有張有弛、懂得收斂,才能守住元?dú)狻㈤L(zhǎng)久興盛,只放不收,終究會(huì)走向衰敗。

      Modern commerce by contrast pursues only round-the-clock 24-hour operation, overdrawing spatial energy and consuming the body and mind's vitality; the prosperity is apparent, but the qi-field is dispersed. Mr. Li knows well that a field of space is like a human body — only with tension and release, only when it knows how to draw in, can it preserve its original vitality and flourish for the long term. To release without ever drawing in leads, in the end, to decline.

      他發(fā)現(xiàn),空間養(yǎng)德正氣,實(shí)現(xiàn)無(wú)為而治。盛唐西市沒(méi)有密布的監(jiān)控、嚴(yán)苛的安保,沒(méi)有強(qiáng)制的管理、刻意的促銷,卻始終交易有序、民風(fēng)淳良,鮮有偷盜紛爭(zhēng)。究其根本,在于空間本身傳遞著浩然正氣,方正規(guī)整的街巷格局,傳遞著規(guī)矩分寸;誠(chéng)信經(jīng)營(yíng)的商業(yè)氛圍,筑牢了道德根基;溫潤(rùn)包容的場(chǎng)域氣場(chǎng),引導(dǎo)人心向善、守諾重信。商譽(yù)即是家聲,一諾重于千金,在這樣的空間里,人心自正、行為自端,無(wú)需外力強(qiáng)制約束。

      He found that space cultivates virtue and the upright qi, achieving 'rule through non-action.' The high-Tang West Market had no dense surveillance, no strict security, no compulsory administration, no contrived sales pushes — yet transactions were always orderly, the local customs were honest, and theft and quarrel were rare. The root reason is that the space itself transmitted a vast and upright qi: the squarely regulated layout of streets and lanes conveyed measure and rule; the atmosphere of honest commerce built up a moral foundation; the warm and inclusive qi-field guided hearts toward the good, made people honor their word and value trust. A merchant's reputation was the family name; one promise was heavier than a thousand pieces of gold. In such a space, hearts naturally became upright and conduct naturally proper, with no need for external force to compel.

      現(xiàn)代管理依賴監(jiān)控、規(guī)則約束人性,卻往往治標(biāo)不治本,而盛唐用空間養(yǎng)德、以氣場(chǎng)化人,所謂風(fēng)水,本質(zhì)上是通過(guò)環(huán)境引導(dǎo)人心向善,是空間對(duì)人的正向教化,這才是最高明的治理智慧。

      Modern management depends on surveillance and rules to constrain human nature, but it often treats the symptom and not the root. The high Tang cultivated virtue through space and transformed people through qi-fields. So-called 'fengshui' is, in essence, the guiding of human hearts toward the good through environment, the positive teaching of people by space — the highest form of governance wisdom.



      二、穿越千年場(chǎng)域,他體會(huì)五重靈魂覺(jué)醒

      II. Crossing a Thousand-Year Field, Five Awakenings of the Soul

      置身復(fù)建大唐西市,李建軍先生以人體工程學(xué)為鑰,解鎖盛唐文明的深層智慧,完成了一場(chǎng)直擊本心的靈魂覺(jué)醒,也為當(dāng)下空間營(yíng)造、文明傳承留下深刻啟示。

      Within the reconstructed Great Tang West Market, Mr. Li used Human Body Engineering as a key to unlock the deep wisdom of high-Tang civilization, completing an awakening that struck directly at the heart, and leaving deep lessons for today's spatial making and civilizational transmission.

      他體會(huì)到,真正的繁華,是人與環(huán)境的能量共鳴。現(xiàn)代商業(yè)一味追求人流量、交易額,用冰冷的數(shù)字衡量繁華,卻忽略了人的身心感受;而盛唐西市,以人本為核、以氣場(chǎng)為脈,留住人心、滋養(yǎng)身心,讓人與空間、人與自然雙向奔赴,這樣的繁華,才是有溫度、有生命力的。

      He felt: true prosperity is the energetic resonance of person and environment. Modern commerce pursues only foot traffic and sales volume, measuring prosperity with cold numbers and ignoring how people feel in body and mind. The high-Tang West Market took the human as core and the qi-field as artery; it held people's hearts and nourished body and mind, so that person and space, person and nature, journeyed toward each other. Only this kind of prosperity has warmth and life.

      他明晰,風(fēng)水不是玄學(xué),是生態(tài)心理學(xué)與人體工程學(xué)的融合。空間氣場(chǎng)直接影響人的情緒狀態(tài),情緒又決定人的行為選擇。大唐西市的每一處布局,都在安撫身心、營(yíng)造信任,讓人放下戒備、舒心共處,所謂風(fēng)水寶地,本質(zhì)是契合人體身心節(jié)律、引導(dǎo)人心向善的空間場(chǎng)域。

      He saw clearly: fengshui is not mysticism. It is a fusion of ecological psychology and Human Body Engineering. The qi-field of a space directly affects people's emotional state, and emotional state in turn determines behavior. Every element of the Great Tang West Market's layout was calming the body and mind and building trust, letting people lower their guard and coexist at ease. A so-called 'auspicious site' is, in essence, a spatial field that fits the body-mind rhythms of a human being and guides the heart toward the good.

      他感悟,文明的底氣,是包容而非控制。盛唐能成就盛世風(fēng)華,從不是靠強(qiáng)權(quán)控制、文化單一化,而是以包容之心接納萬(wàn)物,容納不同族群、不同文化、不同習(xí)俗,讓多元文明共生共榮。這份包容,才是一個(gè)民族、一種文明最深厚的底氣。

      He realized: the underlying force of a civilization is inclusion, not control. The high Tang could achieve its splendor not through power-based control or cultural uniformity, but by receiving all things with an inclusive heart — accommodating different peoples, different cultures, different customs — and letting plural civilizations live and flourish together. This inclusion is the deepest underlying strength of any nation, any civilization.

      他頓悟,真正的風(fēng)水寶地,從來(lái)都是人心所向。大唐西市并非占據(jù)絕佳地理龍脈而興盛,而是因匯聚人心、堅(jiān)守誠(chéng)信、包容萬(wàn)物,才成為千年商脈核心。人心聚則氣場(chǎng)旺,人心散則氣場(chǎng)衰,空間的興盛,終究源于人心的凝聚。

      He realized in a flash: a truly auspicious site is always wherever the human heart turns. The Great Tang West Market did not flourish because it occupied some perfect 'dragon vein' of geography. It became the core of a thousand-year commercial artery because it gathered hearts, held to honesty, and embraced all things. When hearts gather, the qi-field flourishes; when hearts scatter, the qi-field withers. The flourishing of a space stems, in the end, from the gathering of human hearts.

      他慨嘆,我們丟失的不是建造技術(shù),而是對(duì)天地、對(duì)人心的敬畏。如今我們擁有更先進(jìn)的建造技術(shù),能建起摩天高樓、大型商業(yè)體,卻造不出大唐西市這般讓人安心、舒心、歸心的場(chǎng)域。我們精通建造技藝,卻遺忘了順應(yīng)天地、以人為本、以德化人的核心,丟失了對(duì)自然、對(duì)人心的敬畏之心。

      He sighed: what we have lost is not construction technology, but reverence — for heaven and earth, and for the human heart. Today we possess more advanced building techniques and can raise skyscrapers and great commercial complexes, yet we cannot build a field like the Great Tang West Market that puts people at ease, brings them comfort, and makes them feel at home. We have mastered the craft of building, but forgotten the core — accord with heaven and earth, the human as foundation, transformation through virtue — and lost the heart of reverence for nature and for the human.



      三、李建軍終極感悟:風(fēng)水之本,在于人心

      III. Li Jianjun's Ultimate Realization: The Root of Fengshui Lies in the Human Heart

      站在復(fù)建大唐西市的土地上,李建軍先生發(fā)出直擊本心的靈魂獨(dú)白:

      Standing upon the ground of the reconstructed Great Tang West Market, Mr. Li offered a soul-deep monologue that struck straight at the heart:

      我原以為,人體工程學(xué)勘察環(huán)境、解讀風(fēng)水,是看山水格局、看建筑形制、看氣場(chǎng)走向,直到置身這片千年商脈之上,才真正徹悟:風(fēng)水的核心,從來(lái)不是看山看水,而是看人。

      I once thought that, in surveying environments and reading fengshui through Human Body Engineering, the work was to look at landscape patterns, building forms, and the run of qi-fields. Only when I stood upon this thousand-year commercial artery did I truly grasp it: the core of fengshui has never been looking at mountains and waters — it is looking at people.

      看人的腳步是否從容,看人的交流是否真誠(chéng),看人的眼神是否坦蕩,看遠(yuǎn)道而來(lái)的異鄉(xiāng)人,能否在此安心立足、舒心生活。大唐西市從來(lái)不是一塊被風(fēng)水加持的寶地,而是一顆有溫度、有正氣的活心。它不靠符咒鎮(zhèn)場(chǎng),不靠外力加持,靠的是盛唐開(kāi)放包容的時(shí)代氣度,靠的是把每一個(gè)人、每一個(gè)遠(yuǎn)道而來(lái)的靈魂,都真心善待的善意。

      Looking at whether people's footsteps are unhurried; whether their exchanges are sincere; whether their eyes are open and frank; whether the strangers who came from afar can settle and live comfortably here. The Great Tang West Market was never an auspicious site empowered by fengshui; it was a living heart with warmth and an upright spirit. It did not rely on talismans to anchor the field, did not rely on external force to bless it. It relied on the high-Tang era's open and inclusive bearing — on the goodwill that treated every person, every soul who arrived from afar, with sincere kindness.

      如今我們建起無(wú)數(shù)所謂的國(guó)際商貿(mào)中心、高端商業(yè)體,卻再也難以復(fù)刻大唐西市的靈魂與溫度。因?yàn)槲覀冊(cè)缫淹洠臻g的本質(zhì)是善待人心,商業(yè)的核心是真誠(chéng)相待,文明的根基是包容敬畏。我們執(zhí)著于建造冰冷的建筑,卻忘了營(yíng)造溫暖的場(chǎng)域;我們追求功利的繁華,卻丟失了本心的純粹。

      Today we build countless so-called international trade centers and high-end commercial complexes, yet we can no longer reproduce the soul and warmth of the Great Tang West Market. Because we have long forgotten that the essence of a space is the kind treatment of the human heart; that the core of commerce is sincere mutual treatment; that the foundation of civilization is inclusion and reverence. We are obsessed with building cold architecture, and have forgotten how to make warm fields. We pursue utilitarian prosperity, and have lost the purity of the original heart.

      結(jié)語(yǔ):西市藏氣場(chǎng),風(fēng)水在人心

      Conclusion: The West Market Stores the Qi-Field, the Fengshui Lies in the Human Heart

      李建軍先生在復(fù)建大唐西市所看到的,從來(lái)不是復(fù)刻的建筑廢墟,而是盛唐文明的溫?zé)崦}搏,是一個(gè)民族對(duì)天地的敬畏、對(duì)世界的善意、對(duì)人心的關(guān)懷。他所體會(huì)的,不是單純的風(fēng)水格局,而是以人為本、順應(yīng)天地、包容萬(wàn)物的終極智慧。

      What Mr. Li saw in the reconstructed Great Tang West Market was never some replica of architectural ruins. It was the warm pulse of high-Tang civilization — a people's reverence for heaven and earth, goodwill toward the world, and care for the human heart. What he felt was not merely a fengshui pattern, but the ultimate wisdom of placing the human at the center, attuning to heaven and earth, and embracing all things.

      千年流轉(zhuǎn),盛唐西市的煙火早已散盡,但它留下的啟示永恒不變:真正的風(fēng)水,不在羅盤之上,不在建筑之間,而在對(duì)陌生人的善意里,在以人為本的初心里,在包容萬(wàn)物的氣度里。

      A thousand years have turned, and the smoke and life of the high-Tang West Market have long dispersed. Yet the lesson it leaves is unchanging and eternal: true fengshui is not on a compass, nor between buildings. It lies in goodwill toward strangers, in the original heart that puts the human first, in the bearing that embraces all things.

      大唐西市從未真正消失,只要我們依舊心懷敬畏、堅(jiān)守人本、葆有善意,愿意為他人留一份溫暖、為空間存一份正氣,就能在當(dāng)下,重建屬于這個(gè)時(shí)代的、有溫度的大唐西市。

      The Great Tang West Market has never truly vanished. So long as we still carry reverence in our hearts, hold to the human-centered principle, and keep goodwill — willing to leave a measure of warmth for others, willing to preserve a measure of upright spirit in our spaces — we can, today, rebuild a 'Great Tang West Market' of warmth that belongs to our own age.

      真正的頂級(jí)環(huán)境智慧,從來(lái)不是改造天地,而是善待人心;真正的興盛場(chǎng)域,從來(lái)不是刻意營(yíng)造,而是萬(wàn)物和諧、人地相宜、心有所歸。

      Truly top-tier environmental wisdom has never been the remaking of heaven and earth; it is the kind treatment of the human heart. Truly flourishing fields have never been contrived into being; they are places where all things are in harmony, where people and land are mutually fitting, and where the heart finds its home.



      作者簡(jiǎn)介:

      李神琦(Rex Lee)是一位華裔美國(guó)演員、獲獎(jiǎng)劇作家與百老匯制作人,常駐紐約市。他本科畢業(yè)于芝加哥大學(xué),主修歷史與政治學(xué),并于倫敦政治經(jīng)濟(jì)學(xué)院(LSE)獲得金融與社會(huì)學(xué)碩士學(xué)位。

      李神琦擁有橫跨藝術(shù)、金融與公共事務(wù)領(lǐng)域的廣泛經(jīng)驗(yàn),曾于國(guó)際頂級(jí)藝術(shù)拍賣行蘇富比(Sotheby’s)任職,并在華盛頓特區(qū)擔(dān)任企業(yè)說(shuō)客,代表多家跨國(guó)公司進(jìn)行政策游說(shuō)。

      他的表演生涯始于入圍全美極具聲望的 Jerry Herman Awards,這一經(jīng)歷點(diǎn)燃了他對(duì)舞臺(tái)藝術(shù)的熱情。其后,李神琦成為當(dāng)年唯一入選的華裔男演員,受邀加入英國(guó)國(guó)家劇院(National Theatre Company of Great Britain),并展開(kāi)國(guó)際巡演。他也曾參演美國(guó)國(guó)家級(jí)廣告、影展短片,以及倫敦 Off-West End 的專業(yè)劇場(chǎng)演出,并受保加利亞文化部邀請(qǐng),赴索菲亞國(guó)家劇院登臺(tái)演出,展現(xiàn)其多語(yǔ)文化的舞臺(tái)魅力。

      舞臺(tái)之外,李神琦在學(xué)術(shù)領(lǐng)域同樣表現(xiàn)出色。他曾在全美歷史競(jìng)賽(National History Bowl)及美國(guó)地理奧林匹克(U.S. Geography Olympiad)中取得佳績(jī),并入選美國(guó)國(guó)家隊(duì)。他對(duì)全球事務(wù)、文化歷史與地緣政治的深厚理解,持續(xù)為其劇作與表演注入思想深度與跨文化的敘事視角。

      作為百老匯制作人,李神琦致力于搭建中美戲劇之間的橋梁——將美國(guó)戲劇引入中國(guó),也讓中國(guó)作品登上紐約舞臺(tái)。他堅(jiān)信戲劇能夠穿越語(yǔ)言與國(guó)界,成為文化交流的窗口與心靈的共鳴。他的作品關(guān)注移民經(jīng)驗(yàn)、身份認(rèn)同與文化錯(cuò)位,通過(guò)藝術(shù)不斷重塑“歸屬”的意義,推動(dòng)亞洲敘事在全球劇場(chǎng)中的傳播與再想象。

      Author Profile:

      Li Shenqi (Rex Lee) is a Chinese-American actor, award-winning playwright, and Broadway producer based in New York City. He earned his undergraduate degree from the University of Chicago, majoring in History and Political Science, and later obtained a Master's degree in Finance and Sociology from the London School of Economics and Political Science (LSE).

      Li Shenqi boasts extensive experience spanning the realms of art, finance, and public affairs. He has previously held positions at Sotheby's, an internationally renowned art auction house, and worked as a corporate lobbyist in Washington, D.C., representing several multinational corporations in policy advocacy.

      His acting career took off after being shortlisted for the prestigious Jerry Herman Awards across the United States, an experience that ignited his passion for stage art. Subsequently, Li Shenqi became the sole Chinese-American male actor selected that year to join the National Theatre Company of Great Britain and embarked on international tours. He has also appeared in national-level advertisements in the United States, short films at film festivals, professional theatre productions Off-West End in London, and was invited by the Bulgarian Ministry of Culture to perform at the National Theatre in Sofia, showcasing his multilingual and multicultural stage presence.

      Beyond the stage, Li Shenqi has excelled academically as well. He achieved remarkable results in the National History Bowl and the U.S. Geography Olympiad, earning a spot on the U.S. national team. His profound understanding of global affairs, cultural history, and geopolitics continuously infuses his plays and performances with intellectual depth and cross-cultural narrative perspectives.

      As a Broadway producer, Li Shenqi is committed to building bridges between Chinese and American theatre—introducing American plays to China and bringing Chinese works to the New York stage. He firmly believes that theatre can transcend language and national boundaries, serving as a window for cultural exchange and a resonance of the soul. His works focus on immigrant experiences, identity, and cultural dislocation, continuously reshaping the meaning of "belonging" through art and promoting the dissemination and reimagination of Asian narratives in the global theatre landscape.

      內(nèi)容說(shuō)明:文中圖片皆來(lái)源于網(wǎng)絡(luò),內(nèi)容僅做公益性分享,版權(quán)歸原作者所有,如有侵權(quán)請(qǐng)告知?jiǎng)h除!





      特別聲明:以上內(nèi)容(如有圖片或視頻亦包括在內(nèi))為自媒體平臺(tái)“網(wǎng)易號(hào)”用戶上傳并發(fā)布,本平臺(tái)僅提供信息存儲(chǔ)服務(wù)。

      Notice: The content above (including the pictures and videos if any) is uploaded and posted by a user of NetEase Hao, which is a social media platform and only provides information storage services.

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